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It has been nearly a year since my big chop. I have received a tremendous amount of positive feedback since breaking away from the creamy crack a.k.a. hair relaxer. I heard comments like, “You’re brave,” “You show strength,” “You’re beautiful,” and my favorite, “You belong on the cover of Ebony.” It would be an absolute honor to grace the cover of that magazine, but I don’t know if that opportunity will ever present itself. I’ve been keeping my hair low, but now I am growing it longer to have the ability to wear more styles. I love my hair. Even with it being in that meatloaf-looking awkward stage, I love to twist it, pull it, rub it, and stare at it. It’s full and healthy. I can no longer drive a comb through my thick hair. I have to use a pick. I thought it would be a bit of a challenge to physically deal with my real hair, but I was wrong. The real challenge that I am having with my hair is name-calling. I want to end the verbal abuse. Why is it so hard to not call my hair nappy?
When I shared with my sister and my best friend that I would like to put an end to calling my hair nappy, they both asked, “Then what would you call it?” My response was, “It’s tightly curled.” With their laughter slightly held back, they said, “Good luck with that.” I could tell that they both thought that I was crazy. Is there really no other way to describe my hair? One could automatically jump to describing it as kinky, but what the hell is that? I know that the term means curly, but the weight of the negative connotation outweighs the denotation. I wouldn’t call my hair kinky. When I look at my hair in the mirror and when I look at it sitting on my hair pick, I see curly hair. Why is it crazy to call my hair curly?
Black people have been so brainwashed into calling our hair nappy. When I hear the word, nappy, I think of separation—the bad from the good—the inferior from the superior. The word nappy is a venomous word invented to leave black people paralyzed, disabling us from calling our hair curly. The word caused us hate our God-given hair. Many of us wouldn’t want to be caught dead with nappy hair. Calling our hair nappy is saying that we don’t love our hair. It’s saying that our hair is bad; and it’s saying that it is inferior. That’s the unfortunate reason why it’s crazy to call it curly. We should not continue to call our hair nappy.
There is nothing wrong with my natural black hair. I find it very difficult to break away from the habit of calling my hair nappy. It was easier for me to control myself from eating basket-loads of bread. Why is this reality for so many people, particularly for women? Some are assumed or accused of being gay just because their hair looks less feminine. Some of us have to be mindful of what we wear, particularly plaid shirts—as if lesbians have a uniform. The only man I know who talked about his struggle with hair was Malcolm X. In his autobiography, in the chapter titled “Homeboy,” Malcolm X revealed how ridiculous he was when he decided to put a conk (homemade hair relaxer) in his hair. His relaxed hair was an emblem of shame. To continue to call my hair nappy is evidence that the shame still exists. It just feels so engrained in my brain and in my DNA to just naturally call my hair nappy.
It’s pure craziness, but it’s real how hair affects the perception of others. Hair has power. It has the power to cause people to be amazed, amused, or ashamed. Having natural hair has empowered me to realize that relaxed hair is enslaved hair. Having had relaxed hair for twenty-four years, I know first-hand that it requires more money and more time to maintain relaxed hair than natural hair. With relaxed hair, black women have to battle with two hair types. We were conditioned to think that maintaining our real hair is tough and exhausting and not worth dealing with it. Relaxed hair is not as convenient as many women think. The prime reason I cut off all my hair was because I was tired of having to spend so much time in the salon. None of us ever want to step into a salon only to find out that we are next after the chick getting the full-head weave. I don’t have to worry about scratching my head too hard. Relaxed hair requires a much bigger commitment.
However you all choose to wear your hair is not my concern. I just feel that my hair should stop being called nappy. But why is it so hard for me to stop saying it? You all can call me crazy if you want, but I have to break this habit. We all should break this habit. I have not been doing a great job at this task, but I am determined. I have made it a priority for me to stop insulting my strong and versatile African hair. My hair does not make me any less worthy of acquiring the things God already promised to me. And it doesn’t signify that anyone is better than me. It has saved me money and I no longer have to worry about it getting wet by precipitation or perspiration.
What do you think? Should I continue to work on breaking my bad habit or should I just throw in the towel and embrace the word? How do you feel about the word nappy? Should this N-word be knocked out of our vocabulary or not?
You belong to the city
You belong to the night
In the river of darkness
He’s the man of the night
-“The City is Mine” by Jay-Z
I began to sing these words that make up the hook of Jay-Z’s “The City is Mine” from his album In My Lifetime: Vol. 1 when I first laid eyes on the cover art of Vincent P. Sanchez’s debut urban fiction novel, Angel’s Sin (Outskirts Press). I was blessed with the opportunity to meet with the up and coming author and interview him on December 2nd at the famous 40/40 Club in New York City. (Side note: The food and the drinks at the 40/40 Club are both banging) It was official. I was greeted when I arrived by a nice young lady who checked my name off of the guest list and directed to the room where the book signing for Angel’s Sin was taking place. The place was popping with every man and woman dressed, awaiting the man of the night, Vincent P. Sanchez. He arrived dressed like a don in a black suit with pinstripes and square-toed shoes. He looked fresh.
A native of Jamaica, Queens, Vincent P. Sanchez began crafting the first five chapters of Angel’s Sin a few years before completing it to be published in 2010. He revealed to me that his biggest struggle of the whole project was the marketing process for his novel. A fan of Steven King, Dean Koontz, and James Patterson, Sanchez’s personal experiences coming up during the catastrophic crack epidemic are what fuel him to create Angel’s Sin. Sanchez learned many hard lessons on love, loyalty, and life. It was not until he spent time in prison, that he discovered his passion for writing.
The urban fiction novel, Angel’s Sin is a story about Victor Johnson, who goes by the name, Angel, witnessing the murder of a neighborhood drug dealer. Sincere, Angel’s brother, also witnesses the murder at the hands of King, a local drug kingpin. They escape their own deaths once they are discovered by King and his right-hand man, Breeze. King and Breeze are two of the most dangerous men in South Jamaica, Queens. Instead of automatically killing both boys, King approaches them with a proposition: To either become a street soldier for King or be murdered. Once Angel and Sincere choose to live a life of crime, their lives are never the same. According to Sanchez, he sets himself apart from the literary competition by stepping from the norm, providing a different angle of portrayal.
Angel’s Sin is a story of how one decision can create a butterfly effect that will leave a long-lasting impression upon an individual’s soul. It is a story of survival, loyalty, betrayal, and death. It is an inspirational coming-of-age story that is definitely a page-turner. There are moments that may make you shed a tear, burst out laughing, or clutch your pearls in shock and amazement.
I appreciate the play on words that I was able to pull from Angel’s Sin. Angel commits sin after sin, after sin. These sins include the ones committed against others as well as the ones committed against him. Angel is far from a holy man. The term sin also refers to Sincere, Angel’s brother. The two young men have an indelible bond between each other. In the novel they both share this motto for love: “The love you show me is the love I show you. Fifty-fifty love ‘til the sun burns out.” There is nothing like brotherly love. Sin is also the Spanish term meaning without, which signifies the emptiness within Angel. Even though he gains money, power, and respect in the streets, he remains unfulfilled. Zane, Angel’s love interest, is almost like an angel in disguise who gives his life new meaning. She shows him unconditional love and brings out the best in her man. She opens her man’s eyes to a whole different world outside of street hustling. This angel gives birth to a Sin. I applaud Sanchez for his skills.
Vincent P. Sanchez plans on transforming the novel into a movie. Bringing the characters of Angel’s Sin onto the big screen will be a great move for the author. I cannot think of any other urban fiction novel that has been made into a movie. (You can correct me if I am wrong) Sanchez has two other books that are still in the making, Cheaters and The Last Witness. From writer to another, I wish him much success.
You can purchase your copy of Angel’s Sin at Barnes and Noble, Amazon, and Outskirtspress.com/Angelssin.